Karla, a bar dancer, shoots her lover Mayer during a break-up. She hides from the police in pianist Pavel Ryant's apartment and promises to return when she leaves. The next day, however, Karla is arrested and convicted. In the penitentiary she meets the warden, Angelika, a nun who is very much like her. She begs Angelika to lend her clothes for a few days and leaves the prison as a nun.

Eugen Suchoň's ballet Angelika is historically the first Slovak ballet in staged form, depicting the story of a musically gifted but poor and underestimated girl who is wrongly accused of theft. In the 2014/2015 season, the SND Ballet undertook the staging of the first Slovak ballet. Composer Eugen Suchoň (1908 - 1993), one of the founders of Slovak musical modernism, wrote the ballet pantomime Angelika for Slovakia as a seventeen-year-old pupil of the Music School. The work was found in the composer's estate along with other compositions from the so-called pre-Opus period. Mauro di Candia, who choreographed and directed the first staging of Suchoň's work, presents the staging concept of the ballet Angelika as an original, precise and pure ballet form within a contemporary choreographic language, combined with the musical elements of Suchoň's melodic score.

Twins Tia Landry and Tamera Campbell were separated and adopted at birth. Fourteen years later, they encounter each other by chance at the mall. After the families meet, Tia's widowed father agrees to let Tamera and her single mother move in with them.

Elegant Angel brings you the beautiful Kayden sisters Kendall and Kayla in this amazing star showcase! Never before have real sisters been featured in their own full length showcase.

Join sisters Kathy, Amy, Flo, Roxanne & Corri as they talk real life from a biblical perspective. From marriage to child-rearing- even politics - nothing is off limits to these ladies, add special guests to the mix and it's a great combination! Who said church ladies can't have fun?!

Based on the novel by Jáchym Topol. Potok works as a set designer in a small theater. He is in his thirties and his life is essentially going nowhere. He views his surroundings and himself with contempt. His aimless life only changes when he meets Černá. The couple in love escapes from the city. Inevitably, however, they once again encounter human calculation, shallowness, and bad taste. Potok falls back into his former skepticism, which leads to the total breakdown of their relationship. Černá leaves him, and a desperate Potok slowly comes to a more conciliatory attitude toward the world, where there is no longer any place for great love and dark romance. Unlike Jáchym Topol's literary work of the same name, which takes place during the three years after 1989, the film ignores the time frame. It focuses on the hero's internal conflicts, which are timeless.

When unstable Connie is tragically widowed, she finds it impossible to care for her delinquent adolescent daughter, Niki, forcing her son, Bill, to take his sister in. As the two begin to forge a healthy bond, well-meaning Bill implements his own method of treatment for Niki’s mental troubles, but, when turmoil persists, he must reconcile his beliefs with what actually may be best for his sister.

A small town in present-day Bulgaria. A mother and her two daughters are struggling to survive. The dreamy and distracted younger daughter often invents stories in order to make life more interesting. Unwittingly, she eventually gets caught in the trap of her own lies and destroys her older sister's well-ordered materialistic world. Meanwhile, the two sisters find out the truth about their mother

All her life, 80-year-old Margot Brunner (Rosemarie Fendel) has lived with her disabled sister Wilma (Cornelia Froboess) in the apartment of their deceased mother. The grove Wilma seizes every opportunity she gets to be a nuisance to her sister. When Margot meets artist Gregor (Matthias Habich), she finally gets the courage to tell her sister that she wants to enjoy her life and get out of the house. But Wilma does not agree with this.

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